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Date : 2004-09-30

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Handel as Orpheus Voice and Desire in the Chamber ~ Handel as Orpheus is a thorough study of Handels chamber cantatas that situates the works within their social and cultural context Handels cantatas are arguably his most important works from the point of view of his development as a composer

Handel as Orpheus Voice and Desire in the Chamber ~ In Handel as Orpheus the first comprehensive study of the cantatas Ellen Harris investigates their place in Handels life as well as their extraordinary beauty The cantatas were written between 1706 and 1723from the time Handel left his home in Germany throug Handel wrote over 100 cantatas compositions for voice and instruments that describe the joy and pain of love

Handel as Orpheus Voice and Desire in the Chamber Cantatas ~ Ellen T Harris Handel as Orpheus Voice and Desire in the Chamber Cantatas Cambridge MA Harvard University Press 2001 xii 430 pp ISBN 0674006178 hardcover

Review Handel as Orpheus Voice and Desire in the Chamber ~ Review Handel as Orpheus Voice and Desire in the Chamber Cantatas by Ellen T Harris REINHARD STROHM Journal of the American Musicological Society Vol 60 No 1 Spring 2007 pp 217222 DOI 101525jams2007601217

Project MUSE Handel as Orpheus Voice and Desire in the ~ An adoring Cardinal Benedetto Pamphili wrote the text which compares the composer to Orpheus and is sufficiently ambiguous together with Pamphilis text for Il trionfo del Tempo e del Disinganno of the same year which includes a reference to Handel as un leggiadro giovinetto to suggest the homoerotic undertones for which the Orpheus legend was a frequent marker on account of his forswearing the love of women for that of boys in Ovids version In later life Handel dismissed Pamphili

Handel as Orpheus Voice and Desire in the Chamber Cantatas ~ Handel as Orpheus Voice and Desire in the Chamber Cantatas Ellen T Harris Google Books Handel wrote over 100 cantatas compositions for voice and instruments that describe the joy and pain

Handel as Orpheus voice and desire in the chamber ~ Handel wrote over 100 cantatas compositions for voice and instruments decsribing the joy and pain of love In the first comprehensive study of the cantatas Harris investigates their place in Handels life as well as their extraordinary beauty

Handel as Orpheus Voice and Desire in the Chamber ~ Handel as Orpheus Voice and Desire in the Chamber Cantatas declares itself the first comprehensive study of all the set within the parameters of private aristocratic patronage and

Project MUSE Handel as Orpheus Voice and Desire in the ~ Handel as Orpheus Voice and Desire in the Chamber Cantatas declares itself the first comprehensive study of all the cantatas set within the parameters of private aristocratic patronage and the eighteenthcentury context of samesex love 2 Professor Harris reads these early vocal works of Handel written for private patrons in Italy and England between 1706 and 1723 as bespeaking a persistent homoerotic subtext 1 that she proposes is key to understanding their aesthetic